|
|
|
|
 |
|
La
fábrica del futuro |
|
 |
 |
| Diana
Russo |
|
| ARGENTINA,
2011 - 3'34" |
|
| In
the Factory of the Future there are only two employees |
|
|
|
|
|
|
|
|
| |
 |
|
Fase
terminal |
|
 |
 |
| Marta
Génova |
|
| SPAIN,
2011 - 12'45" |
|
| One
child defies all obstacles to find his mother |
|
|
|
|
| |
 |
|
Faute
de temps |
|
 |
|
| Zaven
Najjar |
|
| FRANCE,
2010 - 9'06" |
|
| For
Avaz, the family is like a sentence |
|
|
|
|
| |
 |
|
Femei |
|
 |
 |
| Benet
Román |
|
| SPAIN,
2011 - 11'40" |
|
| How
new European women see the world and themselves |
|
|
|
|
| |
 |
|
La
femme à cordes |
|
 |
|
| Vladimir
Mavounia-Kouka |
|
| FRANCE,
2011 - 15'29" |
|
| A
subversive animation that merges pleasure with pain |
|
|
|
|
| |
 |
|
Flatmates
3.0 |
|
 |
|
| Francesco
Marisei |
|
| SPAIN,
2011 - 33" |
|
| Today,
the communication |
|
|
|
|
| |
 |
|
La
flor del tiempo |
|
 |
 |
| Javier
Castro |
|
| SPAIN,
2011 - 5'16" |
|
| The
figth between two differents worlds |
|
|
|
|
| |
|
| |
 |
|
Forever |
|
 |
|
| Rakesh
B. Narwani |
|
| SPAIN,
2011 - 5'15" |
|
| Forever
es, a primera vista, un videoclip en blanco y negro |
|
|
|
|
| |
 |
|
Fortino
lato est |
|
 |
|
| Ilaria
Ciavattini |
|
| ITALY,
2011 - 14'15" |
|
| Every
day she has a cup of coffee |
|
|
|
|
| |
 |
|
Foto |
|
 |
|
| Ismael
Ferrer |
|
| SPAIN,
2011 - 7'03" |
|
| Sandra
just received a digital camera as a gift |
|
|
|
|
| |
 |
|
Fotograma
23 |
|
 |
|
| Victor
Santos |
|
| PORTUGAL,
2011 - 5'18" |
|
| A
photographer observes a set of finished film negatives |
|
|
|
|
| |
!["Frammenti [Scraps]", Emanuele Michetti (ITALY, 2012)](Contents/Images/Michetti_01.gif) |
|
Frammenti
[Scraps] |
|
 |
|
| Emanuele
Michetti |
|
| ITALY,
2012 - 11'25" |
|
| Feelings
of an earthquake victim |
|
|
|
|
| |
|
| |
 |
|
Freud |
|
 |
|
| Federico
Calabuig |
|
| SPAIN,
2012 - 3'29" |
|
| She
and Lucas. She and Brillantina. She and her traumas |
|
|
|
|
|
|
